The decline of the British birth rate was arguably the most important social change to occur in the last decades of the nineteenth century, but historians have shown remarkably little interest in the phenomenon. Most of the work done on the question has been by sociologists and reflects their assumption that the progressive adoption of birth control was largely a matter of the lower classes aping the behaviour of their 'betters'. Originally published in 1978, this book argues against this interpretation. It contends that the great interest of the nineteenth-century birth control debate is that it reveals that there was not a growing consensus of opinion on the question of family planning but rather two cultural confrontations - the struggle of the middle-class propagandists of both left and right to manipulate for political purposes working-class attitudes towards procreation, and, on a deeper level, the clash of the differing attitudes of men and women towards the possibility of fertility control. The purpose of this study is to place the idea and practice of birth control in their social and political context, and four major factors are focused upon to this end: the first is that the birth control issue played a key role in the confrontation between Malthusians, socialists, eugenists and feminists. Secondly, the whole question of contraception led to a conflict between doctors, quacks, midwives and ordinary men and women seeking to control their own fertility. Thirdly, men and women belong to different sexual cultures and necessarily respond in different ways to the possibility of family regulation, and finally, despite the claims of some that birth control was an innovation, it was the pre-industrial forms of fertility control - including abortion - which brought the birth rate down.

Originally published in 1984 Reproductive Ritual examines fertility and re-production in pre-industrial England. The book discusses both through anthropological research and reviews of contemporary literature that conscious family limitation was practised before the nineteenth century. The volume describes a surprising number of rules, regulations, taboos, injunctions, charms and herbal remedies used to affect pregnancy, and shows the extent to which individual women and men were concerned with controlling the size of their families. The fertility levels in England - as in Western Europe as a whole - were a very long way from the biological maximum in these centuries, and the book discusses the various reasons why this was so. The book reviews traditional ideas concerning the relationship between procreation and pleasure, drawn from a range of contemporary sources and discusses ways in which earlier generations sought both to promote and limit fertility. The book also examines abortion and shows how much evidence there is for its actual practice during the period and of traditional views towards it. This book provides a detailed understanding of historical attitudes towards conception family planning in pre-industrial England.

In December 1937, four respectable young men in their twenties, all products of elite English public schools, conspired to lure to the luxurious Hyde Park Hotel a representative of Cartier, the renowned jewelry firm. There, the "Mayfair men" brutally bludgeoned diamond salesman Etienne Bellenger and made off with eight rings that today would be worth approximately half a million pounds. Such well-connected young people were not supposed to appear in the prisoner's dock at the Old Bailey. Not surprisingly, the popular newspapers had a field day responding to the public's insatiable appetite for news about the upper-crust rowdies and their unsavory pasts. In Playboys and Mayfair Men, Angus McLaren recounts the violent robbery and sensational trial that followed. He uses the case as a hook to draw the reader into a revelatory exploration of key interwar social issues from masculinity and cultural decadence to broader anxieties about moral decay. In his gripping depiction of Mayfair's celebrity high life, McLaren describes the crime in detail, as well as the police investigation, the suspects, their trial, and the aftermath of their convictions. He also* examines the origins and cultural meanings of the playboy-the male 1930s equivalent of the 1920s flapper; * includes in his cast of characters such well-known figures as Noel Coward, Evelyn Waugh, the Churchills, Robert Graves, Oswald Mosley, and Edward VIII; and* convincingly links disparate issues such as divorce reform, corporal punishment, effeminacy, and fascism. The trial is fascinating, not simply because of its four young louts but because it revealed for the first time in the media troubling aspects of British society which had escaped serious scrutiny. An original and exciting cultural history of 1930s Britain, this innovative book and the exploits of its dissolute playboys will appeal to true-crime readers and historians alike.

Originally published in 1984 Reproductive Ritual examines fertility and re-production in pre-industrial England. The book discusses both through anthropological research and reviews of contemporary literature that conscious family limitation was practised before the nineteenth century. The volume describes a surprising number of rules, regulations, taboos, injunctions, charms and herbal remedies used to affect pregnancy, and shows the extent to which individual women and men were concerned with controlling the size of their families. The fertility levels in England - as in Western Europe as a whole - were a very long way from the biological maximum in these centuries, and the book discusses the various reasons why this was so. The book reviews traditional ideas concerning the relationship between procreation and pleasure, drawn from a range of contemporary sources and discusses ways in which earlier generations sought both to promote and limit fertility. The book also examines abortion and shows how much evidence there is for its actual practice during the period and of traditional views towards it. This book provides a detailed understanding of historical attitudes towards conception family planning in pre-industrial England.

Modernity in interwar Europe frequently took the form of a preoccupation with mechanizing the natural; fears and fantasies revolved around the notion that the boundaries between people and machines were collapsing. Reproduction in particular became a battleground for those debating the merits of the modern world. That debate continues today, and to understand the history of our anxieties about modernity, we can have no better guide than Angus McLaren. In "Reproduction by Design", McLaren draws on novels, plays, science fiction, and films of the 1920s and '30s, as well as the work of biologists, psychiatrists, and sexologists, to reveal surprisingly early debates on many of the same questions that shape the conversation today: homosexuality, recreational sex, contraception, abortion, euthanasia, sex change operations, and in vitro fertilization. Here, McLaren brings together the experience and perception of modernity with sexuality, technology, and ecological concerns into a cogent discussion of science's place in reproduction in British and American cultural history.

In this history of manhood and masculinity, the author argues that modern formulations of masculinity, despite any sense of naturalness and constancy, are in fact, idealized cultural products of the late 19th and early 20th centuries. He examines the process of social construction whereby this traditionalized model of the heterosexual male was selected, delineated, and maintained. The author focuses attention on two domains essential to the legitimation of Western cultural constructs - medicine and the law. Through court reports and newspaper accounts, McLaren shows how everyday people, not just the juridical elite, helped to define through their testimony, an ideal of manhood and proper masculine behaviour. He then considers the medical world: psychiatrists and sexologists emerged as arbiters of sexual and gender differences, devising new categories of deficient masculinity - homosexuals, sadists, exhibitionists, and transvestites. Forming such deviant types required the medical community, he argues, to further demarcate a particular form of preferred masculinity.

As anyone who has watched television in recent years can attest, we live in the age of Viagra. From Bob Dole to Mike Ditka to late-night comedians, our culture has been engaged in one long, frank, and very public talk about impotence--and our newfound pharmaceutical solutions. But as Angus McLaren shows us in "Impotence," the first cultural history of the subject, the failure of men to rise to the occasion has been a recurrent topic since the dawn of human culture.
Drawing on a dazzling range of sources from across centuries, McLaren demonstrates how male sexuality was constructed around the idea of potency, from times past when it was essential for the purpose of siring children, to today, when successful sex is viewed as a component of a healthy emotional life. Along the way, "Impotence" enlightens and fascinates with tales of sexual failure and its remedies--for example, had Ditka lived in ancient Mesopotamia, he might have recited spells while eating roots and plants rather than pills--and explanations, which over the years have included witchcraft, shell-shock, masturbation, feminism, and the Oedipal complex. McLaren also explores the surprising political and social effects of impotence, from the revolutionary unrest fueled by Louis XVI's failure to consummate his marriage to the boost given the fledgling American republic by George Washington's failure to found a dynasty. Each age, McLaren shows, turns impotence to its own purposes, using it to help define what is normal and healthy for men, their relationships, and society.
From marraige manuals to metrosexuals, from Renaissance Italy to Hollywood movies, "Impotence" is a serious but highly entertaining examination of aproblem that humanity has simultaneously regarded as life's greatest tragedy and its greatest joke.

From 1877 to 1892, Dr. Thomas Neill Cream murdered seven women, all prostitutes or patients seeking abortions, in England and North America. A Prescription for Murder begins with Angus McLaren s vividly detailed story of the killings. Using press reports and police dossiers, McLaren investigates the links between crime and respectability to reveal a remarkable range of Victorian sexual tensions and fears. McLaren explores how the roles of murderer and victim were created, and how similar tensions might contribute to the onslaught of serial killing in today s society.

Sexual blackmail first reached public notice in the late eighteenth century when laws against sodomy were exploited by the unscrupulous to extort money from those they could entrap. Angus McLaren chronicles this parasitic crime, tracing its expansion in England and the United States through the Victorian era and into the first half of the twentieth century. The labeling of certain sexual acts as disreputable, if not actually criminal--abortion, infidelity, prostitution, and homosexuality--armed would-be blackmailers and led to a crescendo of court cases and public scandals in the 1920s and 1930s. As the importance of sexual respectability was inflated, so too was the spectacle of its loss.

Charting the rise and fall of sexual taboos and the shifting tides of shame, McLaren enables us to survey evolving sexual practices and discussions. He has mined the archives to tell his story through a host of fascinating characters and cases, from male bounders to designing women, from badger games to gold diggers, from victimless crimes to homosexual outing. He shows how these stories shocked, educated, entertained, and destroyed the lives of their victims. He also demonstrates how muckraking journalists, con men, and vengeful women determined the boundaries of sexual respectability and damned those considered deviant. Ultimately, the sexual revolution of the 1960s blurred the long-rigid lines of respectability, leading to a rapid decline of blackmail fears. This fascinating view of the impact of regulating sexuality from the late Victorian Age to our own time demonstrates the centrality of blackmail to sexual practices, deviance, and the law.